Description for Non-Characters

In the real world, we see things. It could be anything: cars, houses, trees, the sun, the moon, birds in the sky, or dogs on the ground. For us writers, it is imperative to find a way to describe those things.

This is different than describing characters, since eye color/hair color and slightly less important features cannot be used to describe the thing. For example, a car is not a person. It has a color to its paint job, which is similar to eye/hair color, but it goes far deeper than that. What is the make and model of the car? What kind of tires are on the car? Are there dents on the frame?

You get what I’m saying? The point is, there are a lot of things to point out if you’re going to do your job properly. The most important thing to remember, however, is that there is a such thing as too much description. The car example may work if it’s from the POV of someone who knows about cars, but that same car may not be as savvy on the various sub-genres of fantasy fiction.

A book lover would know those things like the back of their hand, but a car salesman would go in and see books about magic, knights, wizards, and elves, while a book lover knows there’s a lot more to it than that.

In a nutshell, your POV character (or your narrator) will describe things to the reader as they know things. Always keep that in mind.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

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World Building

In novel writing, research is key. You have to know what you are writing about before you go about writing the subject in question. But in fantasy and other genres with made up settings, world building takes the place of research, and it is the author’s job to create a world that only exists in the mind.

In order to do that properly, you have to look at things that exist in the real world and ask yourself how that can relate to a fictional one. In the real world, you have cars and other motorized vehicles, but how do people get around in a fantasy world?

Also, if you’re writing fantasy, what does the politics or the religion of people look like? Is your government a monarchy with a democratic twist? Is your religion a polytheistic version of Christianity? Also, what do the world cultures look like? In my novel, Kingslayer, I based a lot of my culture on Europe (not exclusive to England), plus I added a few hundred years so the characters could carry guns and ride airships and trains.

One of my all time favorite examples to world building is Harry Potter. In the magical world, there is a real world equivalent to pretty much everything. For sports, you have Quidditch and the Tri-wizard Tournament; for school, of course, the students focus on the magical arts as opposed to math and grammar, and instead of your ACT’s you have your OWL’s and NEWT’s; and you even have the media with The Daily Prophet.

I haven’t even touched on the Chocolate Frog Cards, so needless to say, HP is chock full of examples of world building. These are just a few ways a writer can make their world truly unique. And in fact, if you are setting your story in a secondary world, there are even more things you can do that are ripe for the picking.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

A Few Things I Learned From Playwriting and Screenwriting

First of all, I know I said this post would come out yesterday, but life happened. But now that that’s out of the way, I want to discuss some things I’ve learned this semester in my creative writing program, specifically in a pair of playwriting and screenwriting classes. In one of my previous blogs, I said that my CW program hadn’t helped me as a fiction writer, and this was perfectly true, but I’d like to amend that thought and say it was mostly the fiction classes that hadn’t helped. Truth be told, if you want to be a better fiction writer, learning to write scripts is the way to go.

The reason for this is because screenwriting and playwriting dive far deeper into how stories are told. There is terminology at use in both fields (which are basically two sides of the same coin) that help the writer help to structure their character’s motivations. They are called superobjectives. These are basically what the characters are after, and every single character in your novel should have one. The bottom line is, what is their goal? In Star Wars, you can even argue that Darth Vader and Luke Skywalker have opposite superobjectives. Darth Vader wants to turn his son to the Dark Side, while Luke wants to bring his father back to the Light. In a nutshell, what does your character want?

Something else I learned about is the MDQ: the “major dramatic question.” As my professor said, it is the major question (usually asked 10% through the story) that the story depends on to be driven forward. To go back to my Star Wars example, the MDQ could be “Will Luke turn his father from the Dark Side?” It is a question that can be asked in questions beginning in how, what, when where, why, who, and so on. But according to what my prof has said, it is best asked with a “will” question.

The bottom line is that, while fiction writers will not benefit much from a CW program if they’re focused on fiction, there are other types of classes out there that will teach writers the structure of a story in far more detail. That means that classes such as playwriting and screenwriting can actually make you a better writer of fiction, depending on which university you’re going to, of course.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

Brief Update

Before I begin, know that I’ll be posting a blog on some things I’ve learned so far this semester later on today. Now that that’s out of the way, let me update everyone on everything I’ve been working on lately.

No one knows this yet (except perhaps my mother), but I am currently drafting a prologue to better tie up all the plot threads in my first book, Kingslayer. The second thing I’d like to discuss is an anthology of flash fiction that I’m getting ready to write. That seems, as of now, to be the next thing I publish. Each story will be fantasy, in various different sub-genres (starting off with a short space fantasy with a grand idea).

At the moment, a sequel to Kingslayer is not possible. There’s a lot of reasons for this, I think, but the major reason is that I got burnt out from working on the same project for so long. Therefore, I’m moving to shorter fiction for awhile. I need a couple more books under my belt anyway, so short fiction seems to be the way to go. Anyway, that’s it for now.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

Changes to Kingslayer, a novel by Napoleon Lovecraft

This is a brief update for my novel Kingslayer. As discussed in past blogs and tweets, I have created bonus content for the readers (a flash fiction narrative and one appendix), to expand more on things that are going on in the text that you don’t see due to the first person narrative.

I have also created a new cover that I think looks more professional. I’ll be republishing the book with new content and a new cover within the week.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

Something About Physical Description

It’s time for a confession: I suck as a blogger. I’ve been so stuck in working on a short story that I’ve lost all motivation on working on this blog. However, I hope to change that soon. But for today, I’m going to discuss a subject that every fiction writer needs to know about, and that is how to describe your characters.

Everyone has a unique look about them, so each of your characters should as well. Very rarely will you come into contact with two people who look exactly alike, even identical twins. With twins, one will likely wear their hair differently or not dress the same as the other, so of course it is key to give every single person in your story a unique look.

With my characters, I focus in on eye color and hair color, but there’s a lot more to it than that. Does the character have dimples? Freckles? How tall are they? How much do they weigh? All of these are important questions to ask when deciding how the character looks, but how do you get it across on the page? For me, it all depends on how the writing process goes. Sometimes I’ll imply things, while other times I show it in passing. Sometimes, I’ll dump a brief description and pencil in more info later.

One of my favorite ways of conveying description, however, is to give a character some movement that is somehow important to their physical features. Take the example that follows from my WIP:

“How far is it?” Jocelyn asked, combing her fingers through her curly red hair.

It’s easy to do, and you don’t have to dump the description on the reader. It’s a bit difficult when trying to introduce a lot of main characters at once, but it’s still my favorite of all. The best thing about it is, you can do this with the eyes and other physical features.

I hope this helps.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

 

Something I’ve Learned In College

It’s time for a confession. I’m not a fan of creative writing programs in college, unless you’re just looking for a piece of paper to help you make some extra green. The truth is, I haven’t exactly kept any of this a secret while I’ve been using this blog. However, I’ve discovered something useful when it comes to playwriting and screenwriting classes.

They help me outline fiction.

Some may not think this is possible but it is. Currently, I’m taking a playwriting class, and my professor has provided his students with an outline of how the play works and all that jazz. There are three parts to a play (a beginning, middle, and end), and between each part there is some kind of transition between them. This has helped me transition my stories from brief idea that can be summed up on three pages, to a 30-page outline using the beginning-middle-end format for each scene, to a script format to get all the dialogue down with brief description ideas, to a fully-written novel.

I think the evolution between brief idea to full novel speaks for itself. Needless to say, I’m incorporating this into my process, and am attempting to use it to plan a sequel for Kingslayer as well as planning an anthology for shorter fantasy fiction. This plan seems to be working out pretty well so far.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017