Writing Update, Summer 2018

Hey groupies!

So, I know it’s been awhile and I’m sorry about that. The truth is, I’ve been too busy to keep up a blog, since I’ve been knee deep in a Spanish class that is required for my degree. But more to the point. I’ve been doing a lot of thinking over the last few weeks on where I want to take my writing, and I’ve chosen to start focusing in on short fiction and flash fiction, and maybe a novel here and there.

Obviously, it’s been awhile since I put Kingslayer up on Amazon and other outlets, so I’d say I’m very much behind on getting a second story out to the world. At the moment, I’m working on a short piece that I hope to put into the back of a new edition of my novel, but after that, it’s my goal to get hard at work on two different projects.

The first project is a space fantasy verse novel (yes, you read that correctly), and the second is an anthology of fantasy flash fiction. Given how slow I am as a writer, it will likely be awhile before either of these projects are published. However, I do plan on making some of this work available on my brand new patreon account. It will be awhile before the profile has any posts available, but I’ll make a post about the account when that time comes.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2018

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Writing for Yourself

Sometimes people act as if writers must automatically want to publish their work, just because that person’s a writer. But to be entirely honest, I didn’t always want to publish my work and get paid for it. It started out as something personal, yet society seems to think writers MUST get published in order to validate their desire to make their art.

I reject the notion that all writers have to publish their work.

The truth is, it’s okay if you want to write just for yourself. In fact, some published writers already write for themselves (myself included), and simply publish the work they happen to put out. The truth is, there is a difference between writing a product and writing for yourself. The best books happen to be stories that the author wrote because that’s the story they wanted to tell. J.K. Rowling wrote Harry Potter because it’s the story she wanted to write, not because she thought it would be a bestseller.

The point I’m trying to make is, write what you want to write, and don’t worry if it gets published. You can always worry about that later. And at the end of the day, if your work doesn’t become a bestseller, at least you enjoyed writing it!

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

Finding Time to Write

Sometimes as writers, we struggle to find time to write. Everyone, unless they’re a retired old fart who doesn’t get out of the house, has a social life and a job and other things that get in the way. The bottom line is, we all have to deal with struggles that come hand in hand with being a writer. One of the biggest struggles, however, is finding the time we need to sit down and write that dang book.

But the dirty little secret is, it’s actually not that hard to do.

If you’re stuck in a rut and you’re having trouble writing whatever project you’re working on, then you need to evaluate what is going on in your life. For years, I’ve been trying to publish a second book, and I’m just now learning to focus onto how to get my words down when I’m struggling. Some of that involves writing detailed outlines, which has nothing to do with finding time to write, but one thing that does relate to it is the idea that you need to schedule your writing time.

Recently, I went to Walmart and bought a weekly planner. That allows me to plan every single day and write down tasks I need to fulfill during the day in question. This means that I can set in stone every day’s tasks and write during my writing time and carry out other tasks that have to be done that day. In the grand scheme of things, it’s taught me how important it is to focus and be consistent. Truth be told, you don’t need a weekly planner if you can learn to focus on when to write without one, but it certainly does help. It’s the best tool I’ve invested in.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

Description for Non-Characters

In the real world, we see things. It could be anything: cars, houses, trees, the sun, the moon, birds in the sky, or dogs on the ground. For us writers, it is imperative to find a way to describe those things.

This is different than describing characters, since eye color/hair color and slightly less important features cannot be used to describe the thing. For example, a car is not a person. It has a color to its paint job, which is similar to eye/hair color, but it goes far deeper than that. What is the make and model of the car? What kind of tires are on the car? Are there dents on the frame?

You get what I’m saying? The point is, there are a lot of things to point out if you’re going to do your job properly. The most important thing to remember, however, is that there is a such thing as too much description. The car example may work if it’s from the POV of someone who knows about cars, but that same person may not be as savvy on the various sub-genres of fantasy fiction.

A book lover would know those things like the back of their hand, but a car salesman would go in and see books about magic, knights, wizards, and elves, while a book lover knows there’s a lot more to it than that.

In a nutshell, your POV character (or your narrator) will describe things to the reader as they know things. Always keep that in mind.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

World Building

In novel writing, research is key. You have to know what you are writing about before you go about writing the subject in question. But in fantasy and other genres with made up settings, world building takes the place of research, and it is the author’s job to create a world that only exists in the mind.

In order to do that properly, you have to look at things that exist in the real world and ask yourself how that can relate to a fictional one. In the real world, you have cars and other motorized vehicles, but how do people get around in a fantasy world?

Also, if you’re writing fantasy, what does the politics or the religion of people look like? Is your government a monarchy with a democratic twist? Is your religion a polytheistic version of Christianity? Also, what do the world cultures look like? In my novel, Kingslayer, I based a lot of my culture on Europe (not exclusive to England), plus I added a few hundred years so the characters could carry guns and ride airships and trains.

One of my all time favorite examples to world building is Harry Potter. In the magical world, there is a real world equivalent to pretty much everything. For sports, you have Quidditch and the Tri-wizard Tournament; for school, of course, the students focus on the magical arts as opposed to math and grammar, and instead of your ACT’s you have your OWL’s and NEWT’s; and you even have the media with The Daily Prophet.

I haven’t even touched on the Chocolate Frog Cards, so needless to say, HP is chock full of examples of world building. These are just a few ways a writer can make their world truly unique. And in fact, if you are setting your story in a secondary world, there are even more things you can do that are ripe for the picking.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

Something About Physical Description

It’s time for a confession: I suck as a blogger. I’ve been so stuck in working on a short story that I’ve lost all motivation on working on this blog. However, I hope to change that soon. But for today, I’m going to discuss a subject that every fiction writer needs to know about, and that is how to describe your characters.

Everyone has a unique look about them, so each of your characters should as well. Very rarely will you come into contact with two people who look exactly alike, even identical twins. With twins, one will likely wear their hair differently or not dress the same as the other, so of course it is key to give every single person in your story a unique look.

With my characters, I focus in on eye color and hair color, but there’s a lot more to it than that. Does the character have dimples? Freckles? How tall are they? How much do they weigh? All of these are important questions to ask when deciding how the character looks, but how do you get it across on the page? For me, it all depends on how the writing process goes. Sometimes I’ll imply things, while other times I show it in passing. Sometimes, I’ll dump a brief description and pencil in more info later.

One of my favorite ways of conveying description, however, is to give a character some movement that is somehow important to their physical features. Take the example that follows from my WIP:

“How far is it?” Jocelyn asked, combing her fingers through her curly red hair.

It’s easy to do, and you don’t have to dump the description on the reader. It’s a bit difficult when trying to introduce a lot of main characters at once, but it’s still my favorite of all. The best thing about it is, you can do this with the eyes and other physical features.

I hope this helps.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017

 

Something I’ve Learned In College

It’s time for a confession. I’m not a fan of creative writing programs in college, unless you’re just looking for a piece of paper to help you make some extra green. The truth is, I haven’t exactly kept any of this a secret while I’ve been using this blog. However, I’ve discovered something useful when it comes to playwriting and screenwriting classes.

They help me outline fiction.

Some may not think this is possible but it is. Currently, I’m taking a playwriting class, and my professor has provided his students with an outline of how the play works and all that jazz. There are three parts to a play (a beginning, middle, and end), and between each part there is some kind of transition between them. This has helped me transition my stories from brief idea that can be summed up on three pages, to a 30-page outline using the beginning-middle-end format for each scene, to a script format to get all the dialogue down with brief description ideas, to a fully-written novel.

I think the evolution between brief idea to full novel speaks for itself. Needless to say, I’m incorporating this into my process, and am attempting to use it to plan a sequel for Kingslayer as well as planning an anthology for shorter fantasy fiction. This plan seems to be working out pretty well so far.

If you like what you see, don’t forget to reblog and follow. See you guys next time.

–N.L., 2017